You could see echoes of James’s four-leaf clover dress in Posen’s blue-gray bias-cut neckline ball dress, as well as in his sea foam silk-faille strapless “quatrefoil dress.” But it’s not all about James. This was still Posen’s show. He’s been in business ten years now, and this outing marked an evolution into more streamlined and simple territory than we’ve perhaps ever seen from Posen. In his own words: “There were no ruffles.” There were, however, mélange tweed suits and dresses for day in burgundy, dark blue, and gray; structured cashmere coats; duchesse satin cocktail dresses with architectural touches.
Posen offered plenty of night looks to choose from—including an anthracite-hued duchesse with a pleated neckline and a removable floor-length cape, and a jet-black mermaid dress. But the two that did Posen and his studio proudest were a tangerine taffeta ball dress with a pleated skirt and a similar style in teal. They were totally Met ready, and it will be fun to see who gets to wear them come May.