Some couturiers send out a wedding gown as their final runway look; Alexandre Vauthier presented a black body-skimming gown that offered quite the peep show from behind. A pearl-embellished band running diagonally across the right cheek functioned as a decorative bridge between the lower back and the upper bum, ostensibly holding the dress together. Such asset-flaunting bait will prove irresistible to Vauthier’s mega-muses: Rihanna, Bey, Kim, Rita. But with this collection, the designer ensured that there was more than enough of his mastery to go around, from a jumpsuit in a laser-cut pony hair that mimicked lace, to crystal-studded leather pants, to a slinky minidress covered in ribbons of python stitched to tulle. Before the show, Vauthier seemed particularly excited about his foray into a print that appeared on a silk parka and high-waisted trousers; no run-of-the-mill geometric motif, this was a reinterpreted archive find from Clerici Tessuto, the century-old Italian fabric house.
Vauthier described this collection as “excessively chic,” adding a rapid succession of “très” for emphasis. And to the extent that people will be apt to remember that right cheek most of all, this was très true.